With oleander and. No real thoughts, just recording : comments.
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(no subject)
Good point. But would you then classify Supernatural as fantasy or as contemporary fiction, since the supernatural is logical (or as logical as it can be) in the story?
That is where my personal definitions of fiction and fantasy start to fail me: where do you draw that line between what could be real and what couldn't be real? And once you've figured out that line, what do you call it? After all, to us, The Odyssey is essentially historical fantasy, whereas to many of the original listeners, it was probably historical fiction.
And perhaps I should modify/clarify my definition of urban fantasy to this: a story with fantastical elements set in a world we can recognize as our own. Does that make more sense?
(no subject)
a story with fantastical elements set in a world we can recognize as our own
It does make sense, but I still think it's very important that it's not our world, and there's always something jarring or chilling about that. (I think personally I get stuck on the word urban, since I'm kind of insistent on the importance of rural environments as setting.)
(no subject)
And I understand why you get stuck on "urban." I was meaning it more in the urban legend sense than in the urban city sense.
I wouldn't call it contemporary fiction either, but nontraditional fantasy bothers me, too. There needs to be a happy medium word that connotes a modern (or perhaps industrialized? or post-feudal?) world with fantastical elements. Something that would encompass Frankenstein's monster and the Impala and the Sandman and be very clear that those are all included under this definition.
(no subject)