posted by
nightbird at 12:07pm on 12/08/2009 under what is the what
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As of Sept. 5, 2009:
apologia To be ridiculously pretentious, in the original Greek this means "explanation" or "defense." These entries explain thought processes or choices, mostly, I think, for my own benefit.
be a magpie This is where I make note of shiny things I want in my stories. It comes from something Neil Gaiman once wrote in a blank notebook for me after I saw him speak. (The other was "Keep writing, and finish it!")
character:name I'm trying to be organized with my tagging. If it's relevant to a particular person, it will be so tagged. That may be the most logical I get with these.
creativity is collage Also advice from a writer, this time Dale Pesmen. I love the notion that creativity isn't some petulant muse that damages you from the inside, but rather your engagement with the world around you. This is for talking about the things collected in be a magpie once they're assembled.
first sentences The opener is terrifically difficult sometimes, but when someone lands it, oh man. (Also, must peruse! Also, there's a great community for the opposite:
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homeless bits and bobs Ideas in search of a good home.
italo calvino sends his regards One of my desert island books is Invisible Cities; this tag is for talking about settings.
name's been typeset Hopefully there will come a time when I can crow about publishing credits. For now there's only the one, but I'd very much like to expand on that. Ah, but first comes the writing... shoot.
nft guide to hecatia The Not for Tourists series of guidebooks prides itself on helping people navigate new cities like a local. This is for the imaginary country where The Falling Woman takes place.
note to self Usually this is something I find while I'm at work... doing work... and that I should investigate later... when I'm not doing work.
post-apocalyptic americana I will be attempting to explain this genre for a very long time. It is my genre, though, and I love it deeply.
singer can be among songs Thank you, Sage Francis, for the fantastic lyric. This is for "meta" explorations, or posing questions about genre and composition and other things that are more about writing than content.
the ear the eye The tag so obscure I couldn't remember what it was for at first! But it's about the music that inspires me -- sounds that trigger imagination.
the falling woman A novel I've been trying to write for several years, and think I may have finally figured out how to start.
the not-writing part Mostly notes to self with links to gritty publishing realities and advice for swimming that particular sea when you get to it.
visual language Given the magpie tag, it may come as no surprise that I frequently collect pictures I find online that I can use in stories. I've got this idea of posting some every few days -- no context, just showcasing neat things I find.
world-building Having chanced on the world-building exercises going on at
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Also, I joined
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Endings are hard. I usually know generally how my stories are going to end, but they take some twists and turns getting there that force change on them, usually for the better.
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I desperately want to know some of the plot of your novel. I'm so nosy about it. In saying that, I don't think I could quantify mine at this stage either.
I have absolutely no idea where this story is going to end. I don't know whether that terrifies me or makes me really, really happy.
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Hmm... I might disagree with that... but it can get both sticky and overwhelming to decide which part of the United States has the most crazy. We're like Baskin-Robbins: we come in many flavors!
The post-apocalyptic Americana novel/short story collection has no plot yet, just vagueness and notes. The other one, however, is "Lady Macbeth goes to find the Weird Sisters and demand her husband's head back." If I mention Hecatia, that's what it refers to!
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It's the silences in between the explosions and the world-saving and the zombies and demi-gods and immortals. Not that there's nothing to do, just... life goes on, unobtrusively, underneath all this action, and in between, it's very profoundly felt, somehow, and that, to me, is part of the essence of the weirdfun genre that has developed (probably differently to everyone) since that first came up, to my knowledge, in regards to Unlined.
And I don't know if it makes any sense, but that's the best way I can put words to it, and I don't know if I could do it any better. It's post-apocalyptic settings, not the big cities and settlements, but little farms and communities, and all the unobtrusive LIFE that goes on in the face of so much loss.
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Of course, to be fair, I'd never at all tried to put it into words before just now. XD I just had this FEELING. I knew what it was, it was just a bitch to try to explain. And when I tried to say it out loud to Aub before writing up the comment, she just sort of went "....okaaaaaaaay."
But that is it, now that I think about it. That "life goes on, whether you're a hero or not" sense, permeating the story. Laundry, dishes, bathtime, marriage, babies. Because you get stuff like that in chicklit. But that's not what this is. This is something totally different, with those things in a completely different context. Life goes on.