Project: Write the story that accompanies this soundtrack.
1) "Come Home," Kris Delmhorst (You left here on your dirty feet but you're gonna come home on the train)
2) "Doubletree," Jeffrey Foucault (That morning came up shining clear and sharp as broken glass)
3) "Maybe Sparrow," Neko Case (Notes are hung so effortless with the rise and fall of sparrow's breast)
4) "Muddy Meadow," Calexico (Instrumental, 0:54)
5) "End of Amnesia," M. Ward (Instrumental, 2:12)
6) "Iowa (Traveling III)," Dar Williams (But for you I came this far across the tracks, ten miles above the limit and with no seatbelt)
7) "Cinder and Smoke," Iron & Wine (Give me your hand and take what you will tonight)
8) "The Song They Were Singing When Rome Fell," Anais Mitchell (No evening news, just our bodies and a record playing Delta blues)
9) "The Pharaohs," Neko Case (You kept me wanting wanting wanting like the wanting in the movies and the hymns)
10) "John the Revelator," Son House (Mary, Margaret, they were there and heard every word he said)
11) "Homeward These Shoes," Iron & Wine (Homeward with heaven above me, old road behind me, a door up ahead)
1) "Come Home," Kris Delmhorst (You left here on your dirty feet but you're gonna come home on the train)
2) "Doubletree," Jeffrey Foucault (That morning came up shining clear and sharp as broken glass)
3) "Maybe Sparrow," Neko Case (Notes are hung so effortless with the rise and fall of sparrow's breast)
4) "Muddy Meadow," Calexico (Instrumental, 0:54)
5) "End of Amnesia," M. Ward (Instrumental, 2:12)
6) "Iowa (Traveling III)," Dar Williams (But for you I came this far across the tracks, ten miles above the limit and with no seatbelt)
7) "Cinder and Smoke," Iron & Wine (Give me your hand and take what you will tonight)
8) "The Song They Were Singing When Rome Fell," Anais Mitchell (No evening news, just our bodies and a record playing Delta blues)
9) "The Pharaohs," Neko Case (You kept me wanting wanting wanting like the wanting in the movies and the hymns)
10) "John the Revelator," Son House (Mary, Margaret, they were there and heard every word he said)
11) "Homeward These Shoes," Iron & Wine (Homeward with heaven above me, old road behind me, a door up ahead)
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God, don't even get me started on writing soundtracks, we could be here for a very, very long time...
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I think that's what a novel is made of when it's all said and done.
I had absolutely no idea that I had recurring themes, that I had an atmosphere of vintage mash-up or that I was creating my own little genre and I'm no where near as... I don't even have a word for your ideas. I have no where near as much scope and structure as you've managed to give yourself. I have no where near as much rampant imagination as you do.
Your world is thrilling to watch evolve and I want so much more.
Sometime I'll have to write about how improv comedy is teaching me a ton about writing.
UHM. YES! DUR.
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I will totally try to figure out the story that goes with my songs. And probably the story that goes with yours, too. XD
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The problem with mine is pinning down who the bloody story's about, because I think there's more than a couple character-specific songs in addition to general and mood songs, and it makes for difficulties figuring everything out.
Damn playlist, trying to build a whole new world in my head when I can hardly hold on to the ones I've got. :P